Music Matters Review

Claire Lynch—North by South
2016, Compass Records

Claire Lynch has long mastered the art of loveliness—the gentle twang of her voice complimenting her easy way with the melody as she draws you into the songs. And what a fine collection of bluegrass and Americana songs this is…except that almost all of the songs are the work of Canadian singer-songwriters. You could describe these songs as simple, with their clear narrative and Alison Brown’s uncluttered arrangements and production, but that would overlook the sophistication of getting all of the little things right. It doesn’t hurt to have stellar studio musicians including Stuart Duncan, and headliners such as Jerry Douglas and Béla Fleck lending their talents. Lynch and company give Gordon Lightfoot’s “It’s Worth Believin’” country harmonies and a gentle mandolin and dobro sound that will henceforth be the only way you want to hear this song. J.P. Cormier’s “Molly May” uses a touch of accordion to invoke the Cape Bretton origins of this song, even as Lynch’s vocals and Bryan McDowell’s fiddle pulls it further south. Lynn Miles’ “Black Flowers” is as moody and dark as a place where “black flowers grow in my yard,” should be. Lynch’s own “Milo,” an upbeat love song, fits in well with the rest of these well-written, nicely arranged and produced tunes. It’s nice to see that this fine album’s easy going charm and musicality has gained it a Grammy nomination for Best Bluegrass Album. I’m not sure that is the right category, but I don’t think there is an award for Lovely North-Americana. —Michael Devlin